Pricing and transparency
The cost of editing isn’t always transparent on freelance editors’ websites, as so much comes down to the project itself, and the specific work needed.
However, failing to advertise prices can make goods and services less accessible, particularly for consumers with disabilities, low income, or those who rely on comparison shopping to make informed decisions. Needing to contact the editor for a quote, having no idea what the final cost might be, can be a step too far for those who have a great story to tell but don’t yet have the confidence to match. Everyone’s voice is valuable, regardless of the road that life’s set them on, and deserves to be heard.
It’s more important than ever for the arts to feel accessible to everyone, and for those of us at the helm to tackle any barriers that we can. Arts funding in the UK has experienced significant, long-term cuts, with a 16% real-term reduction since 2017. Local authority funding for culture has plummeted 55% since 2010. UK public libraries face a severe funding crisis, with net expenditure falling by 47% in real terms between 2010 and 2023. Ireland is forging ahead of the UK in this area with schemes like the Basic Income for the Arts (BIA) Scheme. Now permanent after a successful 2022-2026 trial, this, however, needs to be expanded beyond the current 2,000 recipient limit. (The pilot scheme generated over €100 million in total social and economic benefits. According to an Alma Economics cost-benefit analysis, the scheme delivered a return of €1.39 for every €1 invested, reducing the net fiscal cost from an original €105 million to just under €72 million.)
It’s also beneficial for professional freelancers, too, to have access to pricing information when setting or adjusting their own rates, and ensuring they’re not underselling themselves; we’ve worked hard to gain our experience and that has value attached, too. The publishing industry, particularly in the UK, has historically faced criticism for a significant lack of wage transparency, and that can unhelpfully flow into the freelancing space, which benefits neither end.
Coming from a working class background myself, and having worked in publishing for over 20 years, I have insight into the layers around this from various angles. Therefore, I’ve been as transparent as possible with my own prices here, outlining clear, set rates for my coaching packages, and standard starting-point rates for my editorial services based on word count along with payment structure.
This access to information will allow clients to work out reasonable estimates to compare the costs of the editorial services available, and judge whether they could move forward in the immediate future; or whether it’s something to work towards, by planning and setting aside a part of the cost each month. This will hopefully make editing and coaching feel achievable at a time when so many new barriers are popping up for writers.
UK:
Penguin has a really useful page here that sums up local support for writers.
Ireland:
To get a writer's grant in Ireland, apply for the Arts Council of Ireland’s Literature Bursary Award or Agility Award.
Basic Income for the Arts scheme: applications are set to open in September 2026
“This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear”
Overseas clients
I am happy to accept work from outside the UK. As I don’t accept foreign currency, it’s best to transfer your booking fee via my Wise business account to ensure the payment received matches the fee exactly.
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